Dictionary of Artists


To meet the requirement of scholars, art dealers, collectors or simple amateurs of having a quick and effective tool at their disposal to satisfy the various exigencies connected with the world of art, first of all the in-depth analysis of the work of painters, sculptors, engravers, photographers, etc., the "Dictionary of artists" puts itself up as an annotated list of names, sometimes accompanied, if marked by an asterisk, by a biography and by some signature examples.

Each artist is matched with a series of index cards regarding the works registered in the Data Bank of the Matteucci Institute, which can be issued on request.

The biographies are taken from the Dizionario degli artisti edited by Cristina Bonagura, integral part of the work Pittori & pittura dell'Ottocento italiano (1996-1997), coordinated by Giuliano Matteucci with the cooperation of Paul Nicholls and realized by the Redazioni Grandi Opere of the "Istituto Geografico De Agostini", to whom the Matteucci Institute expresses its sincere thanks for authorizing the circulation of the texts on line.


Allegri Carlo*

Padova 1830 - ?
Laureatosi in farmaceutica, si volse allo studio della pittura da autodidatta e con il sussidio di maestri privati. Buon paesista, eseguì oli e acquerelli, ma usò anche la tecnica detta 'a fumo’, consistente nel disegnare servendosi del fumo come se fosse una matita. Fra il 1877 e il 1888 espose a Torino, Milano, Napoli, Bologna, a Venezia e a Londra presentando paesaggi tratti dal vero, con effetti originali, delle valli delle Dolomiti (I cinque sassi di Ampezzo, Il Pelmo dal Forno di Zoldo, 1880; Ricordo del Cadore, 1884), della Valle d’Aosta (Cogne, 1880; Impressioni in Val d ‘Aosta, 1887; Dente del Gigante a Courmayeur, 1888) e scorci di giardini romani (Al Pincio, 1880).
You are here: Home Dictionary of artists Allegri Carlo*

This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish.