Dictionary of Artists


To meet the requirement of scholars, art dealers, collectors or simple amateurs of having a quick and effective tool at their disposal to satisfy the various exigencies connected with the world of art, first of all the in-depth analysis of the work of painters, sculptors, engravers, photographers, etc., the "Dictionary of artists" puts itself up as an annotated list of names, sometimes accompanied, if marked by an asterisk, by a biography and by some signature examples.

Each artist is matched with a series of index cards regarding the works registered in the Data Bank of the Matteucci Institute, which can be issued on request.

The biographies are taken from the Dizionario degli artisti edited by Cristina Bonagura, integral part of the work Pittori & pittura dell'Ottocento italiano (1996-1997), coordinated by Giuliano Matteucci with the cooperation of Paul Nicholls and realized by the Redazioni Grandi Opere of the "Istituto Geografico De Agostini", to whom the Matteucci Institute expresses its sincere thanks for authorizing the circulation of the texts on line.


Amadori Cesare*

Genova, attivo fra il 1880 e il 1900
Le poche notizie sull’artista si debbono soprattutto ai cataloghi della Promotrice di Genova, dai quali si desume che fu residente in questa città dal 1880 alla fine del secolo, e che vi espose prevalentemente paesaggi e marine: In riviera (1880), Una vela (1881), Marina: calma, tempo grigio (1882), Studio dal vero: cascina presso Alessandria (1884), Studio dal vero: Molino a Voltaggio (1885), Barche da pesca (1886), Scogli a Quinto (1890), Marina calma (1892), Marina (1893), Scogliera a Quinto (1898), Ovada, dal fiume (1899). Altri paesaggi furono esposti a Milano nel 1881, a Bologna nel 1888 e a Torino nel 1898 (Piroscafi in demolizione al molo vecchio).
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