Dictionary of Artists


To meet the requirement of scholars, art dealers, collectors or simple amateurs of having a quick and effective tool at their disposal to satisfy the various exigencies connected with the world of art, first of all the in-depth analysis of the work of painters, sculptors, engravers, photographers, etc., the "Dictionary of artists" puts itself up as an annotated list of names, sometimes accompanied, if marked by an asterisk, by a biography and by some signature examples.

Each artist is matched with a series of index cards regarding the works registered in the Data Bank of the Matteucci Institute, which can be issued on request.

The biographies are taken from the Dizionario degli artisti edited by Cristina Bonagura, integral part of the work Pittori & pittura dell'Ottocento italiano (1996-1997), coordinated by Giuliano Matteucci with the cooperation of Paul Nicholls and realized by the Redazioni Grandi Opere of the "Istituto Geografico De Agostini", to whom the Matteucci Institute expresses its sincere thanks for authorizing the circulation of the texts on line.


Amati Camillo*

Napoli 1847 - 1889
Compì gli studi presso l’Accademia di Napoli, avviato in particolare alla pittura di paesaggio e di animali. Esordì nel 1874 alla Promotrice Salvator Rosa con una Marina nei dintorni di Napoli e con un Perché ritarda?. Nello stesso anno inviava a Milano due dipinti di genere: Un venditore di castagne e Dopo il lavoro. Pure a soggetti tratti dalla vita quotidiana si ispirano le opere comparse, anche con un discreto consenso, a Genova (Contadino, 1875), a Firenze (Il racconto del nonno, 1875), a Napoli (Il ritorno dai pascolo, 1877), a Milano (Bonum est nos hic esse, 1878).
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