Dictionary of Artists


To meet the requirement of scholars, art dealers, collectors or simple amateurs of having a quick and effective tool at their disposal to satisfy the various exigencies connected with the world of art, first of all the in-depth analysis of the work of painters, sculptors, engravers, photographers, etc., the "Dictionary of artists" puts itself up as an annotated list of names, sometimes accompanied, if marked by an asterisk, by a biography and by some signature examples.

Each artist is matched with a series of index cards regarding the works registered in the Data Bank of the Matteucci Institute, which can be issued on request.

The biographies are taken from the Dizionario degli artisti edited by Cristina Bonagura, integral part of the work Pittori & pittura dell'Ottocento italiano (1996-1997), coordinated by Giuliano Matteucci with the cooperation of Paul Nicholls and realized by the Redazioni Grandi Opere of the "Istituto Geografico De Agostini", to whom the Matteucci Institute expresses its sincere thanks for authorizing the circulation of the texts on line.


Wilson Andrew*

Edimburgo (Scozia) 1780 - 1848
Formatosi inizialmente a Edimburgo con A. Nasmyth, passò poi alla Royal Academy di Londra. Giunto in Italia, si fermò a Genova, dove nel 1804 fu nominato accademico di merito della Ligustica, che conserva il paesaggio mitologico donato in quell’occasione (Satiro che insegue una ninfa). Autore di vedute liguri, tratte dagli studi dal vero eseguiti durante un ulteriore soggiorno in Italia durato fino al 1847, l'artista acquisì a Genova e Firenze (1830-1831) le opere d'arte che costituirono il nucleo originario della National Gallery of Scotland.
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